Each effect lights up as it’s selected and the four lights above the middle footswitch (which turns the pedal on and off) indicate which particular preset of that effect you have selected. The lone encoder on the right navigates through the various presets. There are a number of buttons, lights and knobs on the front that might seem a bit intimidating at first, but it’s easy to figure things out once you get going. (This turned out to be a real godsend since my cheapo pedalboard power supply introduced a lot of noise.) On the plus side, Hologram Electronics includes a power adapter in the box, which almost no pedal manufacturers do anymore. This is fairly uncommon on synths and other guitar pedals and means you might need a TRS to dual TS cable to hook up your gear. ![]() My one complaint here is that the stereo input is a single TRS jack as opposed to separate right and left ones. It’s not the biggest pedal, but it’s definitely large by modern standards.Īround the back, you’ll find the requisite audio ins and outs, along with 5-pin MIDI In and Out/Thru, and an expression pedal jack. The first thing you’ll notice: It’s huge. So let’s begin with the actual hardware itself. Honestly, there’s so much to cover when talking about the Microcosm that it’s hard to know where to start. But overall, you have an impressive number of tone-shaping tools at your disposal. Some of these have limited controls, which is understandable considering the interface limits. There’s also a freeze function, MIDI support, and an assignable expression pedal port. There’s an excellent reverb unit, a modulation section, a resonant lowpass filter and a 60-second phrase looper onboard. Part of what makes the Microcosm stand out among a growing sea of granular and glitch pedals is the supporting cast of features Hologram Electronics includes. In essence, this is a hyper-specific type of multi-effects pedal. And each effect has four variants, bringing the total number of presets to 44 (not including the 16 user slots). The pedal has 11 different effects, divided into four categories. All loops, overdubs, and settings can be saved and recalled later using 16 user presets.ġ1 unique granular and looping effects with 44 preset variationsĮxpression Input, mappable to many controlsĦ0 sec.The Microcosm is, at its core, a granular processor, meaning that it chops up incoming audio into little bits, processes them and spits them back out. The built-in stereo phrase looper can capture up to 60 seconds and allows for layering phrases from different effects. Tweak the sound further using Microcosm’s built-in pitch modulation, stereo reverb (with four selectable modes), and resonant lowpass filter. Microcosm’s 11 effects (with a total of 44 preset variations) allow you to slice, stretch, rearrange, and manipulate your playing. Cascading microloops can be locked into tight tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more. Microcosm rearranges and reinterprets your sound in new and exciting ways using a variety of granular sampling, delay, and looping techniques. Pre-order is now open for the second batch of Microcosms, shipping in late June 2020. Not a cheap pedal but not bad for something that is more like a musical instrument. ![]() I also include Hologram Electronics’ specs and some other demo videos. ![]() Here is modern guitarist extraordinaire Mike Baggetta’s “non-demo,” where he shows you how to make music with it. Hologram Electronics’ Microcosm is one such pedal. Every now and then, a pedal comes along that embodies the concept of modern electric guitar.
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